>>Brian: All right we're going to talk a little bit about turkey calls. Turkeys make almost 30 different vocalizations you really only need to know a few of them and you don't have to be an expert caller. I’m not an expert caller, but you do need to know a few of the sounds that they make and the calls that they make. So, let's talk about the three basic calls, the first one would be box calls, they're basically friction calls, there's a lid on a box, it's a sounding box, so one of the basic calls is a yelp. [turkey yelping] That's a that's a hen call making that. A hen turkey. A cluck, you're putting the lid touching it to the side of the box and just lifting it real quick. And a purr, is bringing it across real slow and they all mean different things. All right these are pot calls, slate calls they're called, but find a good spot on your striker and practice. [turkey yelping] Good yelp right there, nice cluck. I am pushing some pressure on there when i do a cluck because then i want to bring it up real quick, that cluck is saying “here i am” and a purr. And you're holding it like you would hold a pencil you're basically putting it on the pot call or the slate call then you're giving a little bit of an angle there and again you're not going to do a lot of pressure this is basically just dragging across there real light, now I want to do like just a circular motion, it's almost an oval, and then I want to pick up my pace with it [turkey yelping] You're going to have to find on the slate where the sweet spot is we call, and that's where you'll get your most sound, because it's an instrument you don't want to hold it like this that's going to deafen it, this is where the sound comes out. You want to hold it and cradle it like this, it's almost like a musical instrument so you don't want to deafen the sound or change the sound. All right the last call we're going to talk about, going to talk about mouth calls diaphragm calls, it's basically some rubber that's stretched between some latex and this is going to make the sounds, there are lots and lots of different types, and eventually you'll work up to something like this that have a “V” cut in it and different types of splits, the most important thing is that you get a good seal in your mouth you're putting it up in the top, the dome, top dome of your mouth that's where it should sit, then it should seal all the way around here so you're not losing any air. When I call on those I’m using my tongue to adjust the amount of air that I puff out but, I just you have to have a good seal or it won't make the sound by going over the reeds and that's the important thing. So if I put this in it goes up to the top of my mouth now my tongue is used to huff the air over it and I adjust the tone [turkey yelping].